Bat's all, folks!
The emo vampire epic flits off into the sunset with this bombastic final chapter, a masterclass in making CGI mountains out of molehills. The Twilight Saga: Treading Water would be more apt, considering how scriptwriter Melissa Rosenberg manages to spin out 30 minutes of plot into two hours of cinema.
The showdown between the diabolical Volturi and the Cullens is certainly spectacular and director Bill Condon, who also helmed Part 1, orchestrates the special effects-heavy mayhem with verve.
Airborne vampires and snarling werewolves tumble acrobatically across the screen, their desperate struggles ended with a sickening snap of a neck or crude decapitation.
Were the combatants anything but otherworldly creatures which miraculously don't bleed when injured, the on-screen carnage would merit a 15 certificate.
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Before all of the slavering jaws and severed limbs, the fifth instalment in the series doesn't justify the decision by film-makers to cleave Stephenie Meyer's final book in two.
It begins with Bella (Kristen Stewart) reawakening as a vampire. Opening scenes visualise her heightened senses: the sound of a spider spinning its web, the music of a passing breeze, a trickle of a bead of water down a glass.
She sees and hears everything, contentedly falling back into the arms of lover Edward (Robert Pattinson).
Soon after, best friend Jacob (Taylor Lautner) arrives and is taken aback by Bella's rejuvenation.
"I didn't expect you to seem so... 'you'... except for the creepy eyes,'' he grins.
Jacob confesses to Bella that he has "imprinted" on their half-mortal, half-vampire offspring, Renesmee (Mackenzie Foy).
Once the young mother recovers from the shock and accepts Jacob as her daughter's protector, Bella and Edward settle into domestic bliss with the rest of the Cullen clan.
Alas, their joy is short-lived when Edward's cousin Irina (Maggie Grace) mistakenly identifies Renesmee as an immortal child – an abomination under ancient vampire law.
She reports her fears to the Volturi, the vampire counsel led by Aro (Michael Sheen) and they marshal an army including sibling guards Jane (Dakota Fanning) and Alec (Cameron Bright) and enforcers Demetri (Leicestershire actor Charlie Bewley) and Felix (Daniel Cudmore).
Aside from the impressive showdown, Breaking Dawn – Part 2 feels like the death throes of a cash cow being milked dry.
Stewart and Pattinson stare dreamily into each other's eyes to an angst-heavy soundtrack of Green Day, Ellie Goulding, Christina Perri and Feist, and make gushing declarations – "I'm never going to get tired of this!'' – that inspire wry smiles in light of tabloid revelations.
Lautner appeases fans with another scene of gratuitous nudity, while Sheen devours the very expensive scenery as the bloodsucking elder with an unquenchable thirst for slaughter.
A protracted montage of the leading couple in clinches is yet more filler but Condon does deliver one nice touch by individually honouring actors from all five films as he fades to black. Credit where it's due.
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